K7 tka
Recording / Performing Artist
I've been thinking about the whole evolution thing for a hot minute and i got some ideas about it here goes
when our beloved freestyle started it came from two very different parents hip hop & dance .it was the young urban sound of latino's in america .very streety ,very rough ,and yet poetic.
it was welcomed and respected by people in both hip hop and dance.
looking at this view it only made sense to me that a freesyle evolution would come from taking whats current in music and twisting it to fit our formula.
now on the radio the formats that work are hip hop and pop .none of which at this point move faster than 100 bpms [at least the successful ones]. bpms= beats per minute .the usual freestyle record would speed by at 125 and better the usual hip hop or pop record runs at 100.now to become competitive we must take from this and move forward.many of you might say but if we slow it down it won,t be freestyle ... your wrong freestyle music at least to me is about the lyrics and music and if the music of choice is slower then we should take it in that direction. if a freestyle artist anyone wrote a freestyle song to a hip hop beat the feeling of it would still be there .
there are an over abundance of hip hop producers [beatmakers if you will] who can provide music for this change in that pile is the new tony moran or chris barbosa in the waiting .imagine this if you took ashanti and speed her beats up to 135 who would she be ?????
cynthia ,lissette melendez ,suzy .they all got the same type of voice she does ....now ashanti is not a really good r&b singer most people in the industry will tell you that [even though her numbers are through the roof its for the same reasone why freestyle was successful any little girl can sing the whole song through without the arcrobatics most your favorite r&b artist do to sell there songs.
we need to start at ground level by making a market
going full ghetto and sampling hip hop music .
geting our freestyle lyric to fit the change.
making mix tape where we feature this new sound as oppose of an other compilation of oldies.
showing others that this is the type of sound that can stand next to pop and hip hop proudly with a loyal army instead of scattered soldiers
back in the day freestyle introduced hip hop to the pop audience in a package that even parents excepted very non threatening and very polished .we now need to do it again look at what our resources are and think about what i,m saying.freestyle can change if we make the right moves ..hard core fans want something to stand with and at this point we are disappearing faster than jazz and we are not gaining any respect as the days go by .before the onslaught i leave you with this
imagine lamond doing "without you" over a hip hop beat now .instant street classic. the time of the breakfast club is over we need to get with the real program ... this is an idea does anyone else have any
no more eighties visions we are in the 2k lets catch up
when our beloved freestyle started it came from two very different parents hip hop & dance .it was the young urban sound of latino's in america .very streety ,very rough ,and yet poetic.
it was welcomed and respected by people in both hip hop and dance.
looking at this view it only made sense to me that a freesyle evolution would come from taking whats current in music and twisting it to fit our formula.
now on the radio the formats that work are hip hop and pop .none of which at this point move faster than 100 bpms [at least the successful ones]. bpms= beats per minute .the usual freestyle record would speed by at 125 and better the usual hip hop or pop record runs at 100.now to become competitive we must take from this and move forward.many of you might say but if we slow it down it won,t be freestyle ... your wrong freestyle music at least to me is about the lyrics and music and if the music of choice is slower then we should take it in that direction. if a freestyle artist anyone wrote a freestyle song to a hip hop beat the feeling of it would still be there .
there are an over abundance of hip hop producers [beatmakers if you will] who can provide music for this change in that pile is the new tony moran or chris barbosa in the waiting .imagine this if you took ashanti and speed her beats up to 135 who would she be ?????
cynthia ,lissette melendez ,suzy .they all got the same type of voice she does ....now ashanti is not a really good r&b singer most people in the industry will tell you that [even though her numbers are through the roof its for the same reasone why freestyle was successful any little girl can sing the whole song through without the arcrobatics most your favorite r&b artist do to sell there songs.
we need to start at ground level by making a market
going full ghetto and sampling hip hop music .
geting our freestyle lyric to fit the change.
making mix tape where we feature this new sound as oppose of an other compilation of oldies.
showing others that this is the type of sound that can stand next to pop and hip hop proudly with a loyal army instead of scattered soldiers
back in the day freestyle introduced hip hop to the pop audience in a package that even parents excepted very non threatening and very polished .we now need to do it again look at what our resources are and think about what i,m saying.freestyle can change if we make the right moves ..hard core fans want something to stand with and at this point we are disappearing faster than jazz and we are not gaining any respect as the days go by .before the onslaught i leave you with this
imagine lamond doing "without you" over a hip hop beat now .instant street classic. the time of the breakfast club is over we need to get with the real program ... this is an idea does anyone else have any
no more eighties visions we are in the 2k lets catch up