Club Freestyle REBORN
What's on your mind?
ATTORNEY GENERAL CUOMO SECURES LANDMARK AGREEMENT WITH ARBITRON TO CURE DEFECTS IN RADIO RATINGS SYSTEM THAT THREATENED TO DRIVE MINORITY BROADCASTERS OUT OF BUSINESS
Agreement Requires Arbitron to Overhaul Portable People Meter System for Determining Radio Ratings in New York that has failed to Accurately Measure Minority Listenership
Cuomo’s Agreement Also Requires Arbitron to Pay More Than $200,000 to Resolve Lawsuit, and Provide More Than $100,000 to Minority Broadcasters
NEW YORK, NY (January 7, 2009) - Attorney General Andrew M. Cuomo today announced a groundbreaking agreement with Arbitron, the second largest media ratings service, requiring the company to overhaul its system for determining radio ratings in New York in response to allegations that minority listeners are undercounted. The agreement resolves a lawsuit filed by the Attorney General in the New York Supreme Court in October 2008 against Arbitron for failing to disclose important flaws in the PPM methodology that inadequately represented African-American and Hispanic listening habits and deceptively claiming that its Portable People Meter (“PPM”) system is valid, fair, and representative of diverse radio markets. The consent order filed with the Supreme Court outlines the ways in which Arbitron must take immediate action to improve PPM.
The agreement, which is the first of its kind in the nation, requires Arbitron to adopt new standards to cure flaws in its PPM methodology, which is used to measure radio listening habits. Under the agreement, Arbitron must also pay $260,000 to settle claims of fraud and illegality that the Attorney General raised in his lawsuit regarding Arbitron’s use of the flawed methodology. Further, Arbitron will make a contribution of $100,000 to the National Association of Black Owned Broadcasters and the Spanish Radio Association to support minority radio and fund an advertising campaign of at least $25,000 dedicated to promoting minority radio.
“The radio airwaves should represent the diversity of New York State,” said Attorney General Cuomo. “With this lawsuit, we sought to address the misrepresentation of a flawed product in the marketplace and its impact on the communities that need the most protection. This agreement ensures that Arbitron will fairly measure radio listenership in New York and fairly represent New York’s diverse radio market. As Arbitron works to improve this product, which should not have been released in its current form, my office will aggressively hold Arbitron to rigorous standards to make PPM a better product.”
The agreement requires Arbitron to:
The ICBC Broadcast Holdings, Inc., Spanish Broadcast Systems, and Univision Communications, Inc. issued the following statement: “We deeply appreciate Attorney General Cuomo's commitment to ensuring that Arbitron complies with the law. Arbitron’s implementation of its unaccredited and misleading PPM system has been devastating to radio stations serving African American and Hispanic citizens of New York. We welcome the Attorney General’s requirement of accelerated actions by Arbitron to bring its flawed and discriminatory PPM system to a competence level which can be embraced by all broadcasters. We thank and applaud Attorney General Cuomo for his leadership on this critically important civil rights issue.”
This case was handled by Alphonso B. David, Deputy Bureau Chief of the Civil Rights Bureau, Spencer Freedman, Counsel to the Civil Rights Bureau, and Andrew J. Elmore, Assistant Attorney General in the Civil Rights Bureau.
Attachement:
Agreement Requires Arbitron to Overhaul Portable People Meter System for Determining Radio Ratings in New York that has failed to Accurately Measure Minority Listenership
Cuomo’s Agreement Also Requires Arbitron to Pay More Than $200,000 to Resolve Lawsuit, and Provide More Than $100,000 to Minority Broadcasters
NEW YORK, NY (January 7, 2009) - Attorney General Andrew M. Cuomo today announced a groundbreaking agreement with Arbitron, the second largest media ratings service, requiring the company to overhaul its system for determining radio ratings in New York in response to allegations that minority listeners are undercounted. The agreement resolves a lawsuit filed by the Attorney General in the New York Supreme Court in October 2008 against Arbitron for failing to disclose important flaws in the PPM methodology that inadequately represented African-American and Hispanic listening habits and deceptively claiming that its Portable People Meter (“PPM”) system is valid, fair, and representative of diverse radio markets. The consent order filed with the Supreme Court outlines the ways in which Arbitron must take immediate action to improve PPM.
The agreement, which is the first of its kind in the nation, requires Arbitron to adopt new standards to cure flaws in its PPM methodology, which is used to measure radio listening habits. Under the agreement, Arbitron must also pay $260,000 to settle claims of fraud and illegality that the Attorney General raised in his lawsuit regarding Arbitron’s use of the flawed methodology. Further, Arbitron will make a contribution of $100,000 to the National Association of Black Owned Broadcasters and the Spanish Radio Association to support minority radio and fund an advertising campaign of at least $25,000 dedicated to promoting minority radio.
“The radio airwaves should represent the diversity of New York State,” said Attorney General Cuomo. “With this lawsuit, we sought to address the misrepresentation of a flawed product in the marketplace and its impact on the communities that need the most protection. This agreement ensures that Arbitron will fairly measure radio listenership in New York and fairly represent New York’s diverse radio market. As Arbitron works to improve this product, which should not have been released in its current form, my office will aggressively hold Arbitron to rigorous standards to make PPM a better product.”
The agreement requires Arbitron to:
- Pay $260,000 to resolve claims of fraud and illegality;
- Pay $100,000 to minority trade associations to support minority radio;
- Cure key flaws and substantially improve the PPM methodology in New York by, for example, increasing the recruitment of individuals who only use cell-phones (a disproportionate percentage who are racial minorities) and ensuring that a higher proportion of panelists across racial demographics successfully operate the PPM;
- Fund a study, overseen by the Attorney General, to determine and cure measurable bias the PPM methodology may have on racial minorities;
- Fund an advertising campaign of at least $25,000 dedicated to promoting minority radio; and
- Obtain accreditation from the Media Rating Council.
The ICBC Broadcast Holdings, Inc., Spanish Broadcast Systems, and Univision Communications, Inc. issued the following statement: “We deeply appreciate Attorney General Cuomo's commitment to ensuring that Arbitron complies with the law. Arbitron’s implementation of its unaccredited and misleading PPM system has been devastating to radio stations serving African American and Hispanic citizens of New York. We welcome the Attorney General’s requirement of accelerated actions by Arbitron to bring its flawed and discriminatory PPM system to a competence level which can be embraced by all broadcasters. We thank and applaud Attorney General Cuomo for his leadership on this critically important civil rights issue.”
This case was handled by Alphonso B. David, Deputy Bureau Chief of the Civil Rights Bureau, Spencer Freedman, Counsel to the Civil Rights Bureau, and Andrew J. Elmore, Assistant Attorney General in the Civil Rights Bureau.
Attachement:
7 Replies
·
1287 views
Hello, does anyone have Jeannie's CD? She was a freestyle artist from San Antonio, TX in the late '90s. She's best known for the classic "Runaway" but had other nice songs too. Thanks.
0 Replies
·
36 views
Staff member
Lead Administrator
0 Replies
·
28 views
Staff member
Lead Administrator
0 Replies
·
29 views
Staff member
Lead Administrator
0 Replies
·
31 views
Staff member
Lead Administrator
0 Replies
·
31 views
Staff member
Lead Administrator
0 Replies
·
28 views
Staff member
Lead Administrator
If you grew up in the late 80s and early 90s, you already know the vibe. You can practically hear the Roland TR 808 drum machine firing up the second I mention the word freestyle. We're talking about a genre that didn't just climb the Billboard charts - it defined an entire era of youth culture. From the streets of New York City and Miami to roller rinks across the country, freestyle dance music was the ultimate soundtrack for a generation. It wasn't just music. It was the clothes, the big hair, the attitude, and the unbridled emotion of teenage heartbreak packed into a heavy bass line.
Today, we're taking a deep dive into the undisputed royalty of freestyle. They're the artists who built the foundation, impacted millions of people, and paved the way for modern dance pop. And the craziest part? They're still selling out arenas today. Let's get into it.
Shannon: The Architect
You can't talk about freestyle without bowing down to Shannon. When "Let the Music Play" dropped, it completely shattered the mold. It gave us that heavily syncopated, hard hitting drum beat that became the blueprint for everything that followed. Shannon showed the world that dance music didn't have to be mindless - it could have soul, and it could make you feel something. Fans connected with her instantly. Today, Shannon's still gracing the stage, proving that her legendary voice hasn't lost a single step. If you catch a freestyle festival this year, there's a good chance you'll see her bringing the house down.
Lisa Lisa & Cult Jam: The Crossover Legends
Lisa Lisa took the underground freestyle sound and forced the mainstream pop world to pay attention. "I Wonder If I Take You Home" and "Can You Feel the Beat" were absolute monsters on the radio. She had this incredibly unique, fierce delivery that made every young girl want to be her. Lisa Lisa and Cult Jam broke down barriers for Latino artists on mainstream radio. Their impact's immeasurable. Where's she now? Lisa Lisa's practically the reigning queen of the current Freestyle Explosion tours, packing massive venues in 2026 and showing a whole new generation exactly how it's done.
Stevie B: The Undisputed King
If there's a King of Freestyle, it's Stevie B. The man just couldn't miss. From party anthems like "Spring Love" and "Party Your Body" to the ultimate number one ballad "Because I Love You", Stevie B knew exactly what his fans wanted. His music was the backdrop to countless first dates, high school dances, and summer nights. He gave the genre a commercial viability that nobody expected. And guess what? He's still headlining enormous tours. If you look at the 2026 tour posters, Stevie B's name's right there at the top, delivering those classic hits to tens of thousands of screaming fans.
TKA: The High Energy Powerhouse
When TKA stepped onto a stage, you knew you were in for a masterclass in performance. K7 and the guys brought a raw, street level hip hop energy to freestyle. "One Way Love", "Maria", and "Tears May Fall" remain absolute anthems. They didn't just sing - they danced their hearts out and gave fans a visually stunning show. TKA became the best selling Latin freestyle group in history, and they heavily influenced boy bands and dance groups that came later. They're still performing as TKA, and their live shows today still pack the exact same electric punch as they did back in the day.
The Cover Girls: Glamour Meets the Beat
With tracks like "Show Me" and "Wishing on a Star", The Cover Girls brought a touch of glamour and pop polish to the freestyle world. They were fashion icons. Every girl wanted to dress like them, and every guy fell in love with them. They harmonized beautifully over those classic pounding beats, proving that freestyle could be both edgy and incredibly beautiful. The original lineup's seen some changes over the years, but The Cover Girls name still carries immense weight, and they're still out there touring the country.
Judy Torres: The Queen of Hearts
If you ever needed a shoulder to cry on after a bad breakup, Judy Torres was there for you. Songs like "No Reason to Cry" and "Come Into My Arms" still hit incredibly hard. Judy didn't just sing the lyrics - she bled them. Her fans feel an incredibly deep personal connection to her because her music's so relentlessly honest. Beyond music, Judy became an iconic radio personality in New York City, connecting with her fans on a daily basis. She's still a massively requested performer and a beloved figure in the freestyle community.
Sa-Fire: The Vocal Dynamo
Sa-Fire brought serious vocal chops to the table. "Boy I've Been Told" and "Love Is On Her Mind" showed an incredible range and a fierce independence. She wasn't just a singer - she was a writer and a creator who demanded respect in a very competitive music industry. Sa-Fire inspired countless young women to stand up for themselves. While she doesn't tour as relentlessly as some of the others today, her impact remains a foundational pillar of the genre.
George Lamond: The Voice
When "Bad of the Heart" hit the airwaves, it was game over. George Lamond possessed a voice that could rival the biggest pop stars on the planet. His vocal runs, his undeniable swagger, and his ability to convey deep emotion made him an instant superstar. He brought a sophisticated, incredibly polished sound to freestyle. Today, George's still out there crushing it on stage alongside his peers, and his voice sounds just as pristine as it did the day he recorded those classic tracks.
Cynthia & Johnny O: The Ultimate Duo
I've got to group Cynthia and Johnny O together, even though they had massive solo careers. Cynthia gave us huge hits like "Change on Me", and Johnny O gave us "Fantasy Girl". But when they teamed up for "Dreamboy/Dreamgirl", they created what's arguably the greatest freestyle duet of all time. It's the ultimate tale of star crossed lovers set to a frantic, irresistible beat. They gave a voice to every teenager who felt hopelessly in love. Both Cynthia and Johnny O still draw huge crowds on the live circuit, frequently performing together to the absolute delight of their lifelong fans.
Debbie Deb: The Weekend Warrior
If you ever stepped foot in a roller rink on a Friday night, you know Debbie Deb. "When I Hear Music" and "Lookout Weekend" remain the ultimate party starters. Her music was heavily electro influenced, with those bouncy, infectious beats that made it impossible to sit still. Hip hop and EDM artists today still heavily sample Debbie Deb's tracks, proving just how forward thinking her sound really was. She remains a beloved figure, occasionally popping up at retro shows to remind everyone who started the party.
How They Changed the Game
Freestyle dance music wasn't just a passing fad - it was a cultural revolution. Before freestyle, mainstream radio was incredibly segregated. These artists, many of them incredibly talented kids from Puerto Rican and Italian neighborhoods, forced the door open. They created a hybrid sound that blended the energy of hip hop, the melodies of pop, and the relentless pulse of electronic dance music. They laid the groundwork for the massive EDM festivals we see today.
But their real impact was on the people. For the fans, this music's a time machine. It takes them right back to their first car, their first kiss, their first heartbreak. The freestyle community's like a massive family. When you go to a Freestyle Explosion concert today, you aren't just watching a retro act - you're experiencing a beautiful, chaotic reunion. The fans know every single lyric, the artists still give it everything they've got, and the energy in the room's purely electric.
These artists proved that you don't need a massive corporate machine to make a lasting impact. You just need a heavy beat, a synthesizer, and a whole lot of heart. And that's why, all these years later, the music still plays on.
Who are your favorite freestyle artists - and what are your favorite freestyle songs?
Today, we're taking a deep dive into the undisputed royalty of freestyle. They're the artists who built the foundation, impacted millions of people, and paved the way for modern dance pop. And the craziest part? They're still selling out arenas today. Let's get into it.
Shannon: The Architect
You can't talk about freestyle without bowing down to Shannon. When "Let the Music Play" dropped, it completely shattered the mold. It gave us that heavily syncopated, hard hitting drum beat that became the blueprint for everything that followed. Shannon showed the world that dance music didn't have to be mindless - it could have soul, and it could make you feel something. Fans connected with her instantly. Today, Shannon's still gracing the stage, proving that her legendary voice hasn't lost a single step. If you catch a freestyle festival this year, there's a good chance you'll see her bringing the house down.
Lisa Lisa & Cult Jam: The Crossover Legends
Lisa Lisa took the underground freestyle sound and forced the mainstream pop world to pay attention. "I Wonder If I Take You Home" and "Can You Feel the Beat" were absolute monsters on the radio. She had this incredibly unique, fierce delivery that made every young girl want to be her. Lisa Lisa and Cult Jam broke down barriers for Latino artists on mainstream radio. Their impact's immeasurable. Where's she now? Lisa Lisa's practically the reigning queen of the current Freestyle Explosion tours, packing massive venues in 2026 and showing a whole new generation exactly how it's done.
Stevie B: The Undisputed King
If there's a King of Freestyle, it's Stevie B. The man just couldn't miss. From party anthems like "Spring Love" and "Party Your Body" to the ultimate number one ballad "Because I Love You", Stevie B knew exactly what his fans wanted. His music was the backdrop to countless first dates, high school dances, and summer nights. He gave the genre a commercial viability that nobody expected. And guess what? He's still headlining enormous tours. If you look at the 2026 tour posters, Stevie B's name's right there at the top, delivering those classic hits to tens of thousands of screaming fans.
TKA: The High Energy Powerhouse
When TKA stepped onto a stage, you knew you were in for a masterclass in performance. K7 and the guys brought a raw, street level hip hop energy to freestyle. "One Way Love", "Maria", and "Tears May Fall" remain absolute anthems. They didn't just sing - they danced their hearts out and gave fans a visually stunning show. TKA became the best selling Latin freestyle group in history, and they heavily influenced boy bands and dance groups that came later. They're still performing as TKA, and their live shows today still pack the exact same electric punch as they did back in the day.
The Cover Girls: Glamour Meets the Beat
With tracks like "Show Me" and "Wishing on a Star", The Cover Girls brought a touch of glamour and pop polish to the freestyle world. They were fashion icons. Every girl wanted to dress like them, and every guy fell in love with them. They harmonized beautifully over those classic pounding beats, proving that freestyle could be both edgy and incredibly beautiful. The original lineup's seen some changes over the years, but The Cover Girls name still carries immense weight, and they're still out there touring the country.
Judy Torres: The Queen of Hearts
If you ever needed a shoulder to cry on after a bad breakup, Judy Torres was there for you. Songs like "No Reason to Cry" and "Come Into My Arms" still hit incredibly hard. Judy didn't just sing the lyrics - she bled them. Her fans feel an incredibly deep personal connection to her because her music's so relentlessly honest. Beyond music, Judy became an iconic radio personality in New York City, connecting with her fans on a daily basis. She's still a massively requested performer and a beloved figure in the freestyle community.
Sa-Fire: The Vocal Dynamo
Sa-Fire brought serious vocal chops to the table. "Boy I've Been Told" and "Love Is On Her Mind" showed an incredible range and a fierce independence. She wasn't just a singer - she was a writer and a creator who demanded respect in a very competitive music industry. Sa-Fire inspired countless young women to stand up for themselves. While she doesn't tour as relentlessly as some of the others today, her impact remains a foundational pillar of the genre.
George Lamond: The Voice
When "Bad of the Heart" hit the airwaves, it was game over. George Lamond possessed a voice that could rival the biggest pop stars on the planet. His vocal runs, his undeniable swagger, and his ability to convey deep emotion made him an instant superstar. He brought a sophisticated, incredibly polished sound to freestyle. Today, George's still out there crushing it on stage alongside his peers, and his voice sounds just as pristine as it did the day he recorded those classic tracks.
Cynthia & Johnny O: The Ultimate Duo
I've got to group Cynthia and Johnny O together, even though they had massive solo careers. Cynthia gave us huge hits like "Change on Me", and Johnny O gave us "Fantasy Girl". But when they teamed up for "Dreamboy/Dreamgirl", they created what's arguably the greatest freestyle duet of all time. It's the ultimate tale of star crossed lovers set to a frantic, irresistible beat. They gave a voice to every teenager who felt hopelessly in love. Both Cynthia and Johnny O still draw huge crowds on the live circuit, frequently performing together to the absolute delight of their lifelong fans.
Debbie Deb: The Weekend Warrior
If you ever stepped foot in a roller rink on a Friday night, you know Debbie Deb. "When I Hear Music" and "Lookout Weekend" remain the ultimate party starters. Her music was heavily electro influenced, with those bouncy, infectious beats that made it impossible to sit still. Hip hop and EDM artists today still heavily sample Debbie Deb's tracks, proving just how forward thinking her sound really was. She remains a beloved figure, occasionally popping up at retro shows to remind everyone who started the party.
How They Changed the Game
Freestyle dance music wasn't just a passing fad - it was a cultural revolution. Before freestyle, mainstream radio was incredibly segregated. These artists, many of them incredibly talented kids from Puerto Rican and Italian neighborhoods, forced the door open. They created a hybrid sound that blended the energy of hip hop, the melodies of pop, and the relentless pulse of electronic dance music. They laid the groundwork for the massive EDM festivals we see today.
But their real impact was on the people. For the fans, this music's a time machine. It takes them right back to their first car, their first kiss, their first heartbreak. The freestyle community's like a massive family. When you go to a Freestyle Explosion concert today, you aren't just watching a retro act - you're experiencing a beautiful, chaotic reunion. The fans know every single lyric, the artists still give it everything they've got, and the energy in the room's purely electric.
These artists proved that you don't need a massive corporate machine to make a lasting impact. You just need a heavy beat, a synthesizer, and a whole lot of heart. And that's why, all these years later, the music still plays on.
Who are your favorite freestyle artists - and what are your favorite freestyle songs?
0 Replies
·
36 views
Staff member
Lead Administrator
0 Replies
·
32 views
Staff member
Lead Administrator
0 Replies
·
34 views
Staff member
Lead Administrator
0 Replies
·
36 views