James Anthony
New member
Ok, I've done this before, but I'll do it again, I'll try to explain to everyone how things work any why things are the way they are with radio.....
PART I: THE OLD SCHOOL DILEMMA
Ok- first of all, everyone says "KTU plays the same freestyle songs every day and they don't give the new school any exposure". Let's break the sentence up- "KTU plays the same freestyle songs every day"...Yes- we certainly do play the same songs every day- we have about 75-100 freestyle songs that can be in rotation at any given time in our music library. Usually they go in groups of 10-15 or so. That isn't counting Sunday nights, in which any of the freestyle songs in our library can be played. Usually during any given daypart during the week however, you'll hear 1 or 2 freestyle songs an hour. How Latinomix claims that overall they play more freestyle is beyond me. New school, yes. Overall, I don't see how 5 hours a week adds up to more than KTU. Maybe I'm wrong lol. Anyways- back to my point. Understand that our listeneres NEVER GET TIRED OF THESE SONGS!!! Sure, you guys as "hardcore" fans are probably jaded by hearing "Show Me" 10,000 times for the past 15 years and roll your eyes when it comes on the radio now, but understand that we are dealing with a listenership well over 3 million people, and songs like "Show Me" and "Change On Me" get literally HUNDREDS of requests a day. Of these 3 million listeners, about 99% of them are what you would call an "average" fan. They like freestyle as in they'll listen to it in the car, maybe sing along, maybe recall hearing it in high school, but not roll their eyes because they've heard it 10,000 times before. Believe me, I sit in the studio with Judy some Sunday night and there are STILL a ton of people that call and say "who sings Maria?", "what song is this?". THAT is the audience we are catering to: the majority. The vast majority. At the end of the day we are a business. We play what people want to hear so they will keep listening. Understand that alot of you guys that post on this board are not within this vast majority. I'm not part of it either, so don't feel bad, I'm not putting you down.
PART II: THE NEW SCHOOL DILEMMA
For a song to even consider geting an add on KTU, it first needs to be physically brought to the station by a label rep by ways of the Wednesday music meetings. A lot of you say "Why won't you play the new Zoe?". I'll use her as an example. Well, first of all, who is Zoe? who's her label? and have they shopped the song to US radio yet? Answer me those first. 9 times out of 10, all of you who complain "Why don't you play the new...", it's more likely than not a song that hasn't been brought to the attention of anyone at the station. Telling Speedy if you see him at an appearance that you are a freestyle artist with a song does not count. It's the label's job to get the attention of the radio programmers. It's not the programmers job to go out and find songs. They have their hands full every week getting deluged by labels for potential adds. Now comes the real problem with new school freestyle: AS GOOD AS IT CAN BE- IT STILL SOUNDS LIKE 1988! And if it doesn't sound like 1988, it has that breakbeat-ish electro sound popularized in 1996 by songs like Lina Santiago "Feels So Good" and Angelina "I Don't Need Your Love" and Jocelyn Enriquez "Do You Miss Me". So I guess 1996 is a step up from 1988, but it still sounds DATED. So between the labels not giving a concentrated effort to promote the song in the clubs and to the stations, and the songs themselves sounding like they'd fare better in 1990, why should our programming department invest their time when the new Donna Summer or the new Widelife is a surefire hit with the progressive house, yet pop-melody dance tracks that our listeners love? KTU recently added the freestyle-based remake of Dana Rayne's "Object Of My Desire". Figuring it's a remake of a song that people will already find familiar, they gave it a shot. It didn't test well, so it was dropped. The sound of it just didn't work with our audience. If a familiar song like "Object..." didn't work, then why should programming believe that an unknown artist from Canada like Zoe would work?
PART I: THE OLD SCHOOL DILEMMA
Ok- first of all, everyone says "KTU plays the same freestyle songs every day and they don't give the new school any exposure". Let's break the sentence up- "KTU plays the same freestyle songs every day"...Yes- we certainly do play the same songs every day- we have about 75-100 freestyle songs that can be in rotation at any given time in our music library. Usually they go in groups of 10-15 or so. That isn't counting Sunday nights, in which any of the freestyle songs in our library can be played. Usually during any given daypart during the week however, you'll hear 1 or 2 freestyle songs an hour. How Latinomix claims that overall they play more freestyle is beyond me. New school, yes. Overall, I don't see how 5 hours a week adds up to more than KTU. Maybe I'm wrong lol. Anyways- back to my point. Understand that our listeneres NEVER GET TIRED OF THESE SONGS!!! Sure, you guys as "hardcore" fans are probably jaded by hearing "Show Me" 10,000 times for the past 15 years and roll your eyes when it comes on the radio now, but understand that we are dealing with a listenership well over 3 million people, and songs like "Show Me" and "Change On Me" get literally HUNDREDS of requests a day. Of these 3 million listeners, about 99% of them are what you would call an "average" fan. They like freestyle as in they'll listen to it in the car, maybe sing along, maybe recall hearing it in high school, but not roll their eyes because they've heard it 10,000 times before. Believe me, I sit in the studio with Judy some Sunday night and there are STILL a ton of people that call and say "who sings Maria?", "what song is this?". THAT is the audience we are catering to: the majority. The vast majority. At the end of the day we are a business. We play what people want to hear so they will keep listening. Understand that alot of you guys that post on this board are not within this vast majority. I'm not part of it either, so don't feel bad, I'm not putting you down.
PART II: THE NEW SCHOOL DILEMMA
For a song to even consider geting an add on KTU, it first needs to be physically brought to the station by a label rep by ways of the Wednesday music meetings. A lot of you say "Why won't you play the new Zoe?". I'll use her as an example. Well, first of all, who is Zoe? who's her label? and have they shopped the song to US radio yet? Answer me those first. 9 times out of 10, all of you who complain "Why don't you play the new...", it's more likely than not a song that hasn't been brought to the attention of anyone at the station. Telling Speedy if you see him at an appearance that you are a freestyle artist with a song does not count. It's the label's job to get the attention of the radio programmers. It's not the programmers job to go out and find songs. They have their hands full every week getting deluged by labels for potential adds. Now comes the real problem with new school freestyle: AS GOOD AS IT CAN BE- IT STILL SOUNDS LIKE 1988! And if it doesn't sound like 1988, it has that breakbeat-ish electro sound popularized in 1996 by songs like Lina Santiago "Feels So Good" and Angelina "I Don't Need Your Love" and Jocelyn Enriquez "Do You Miss Me". So I guess 1996 is a step up from 1988, but it still sounds DATED. So between the labels not giving a concentrated effort to promote the song in the clubs and to the stations, and the songs themselves sounding like they'd fare better in 1990, why should our programming department invest their time when the new Donna Summer or the new Widelife is a surefire hit with the progressive house, yet pop-melody dance tracks that our listeners love? KTU recently added the freestyle-based remake of Dana Rayne's "Object Of My Desire". Figuring it's a remake of a song that people will already find familiar, they gave it a shot. It didn't test well, so it was dropped. The sound of it just didn't work with our audience. If a familiar song like "Object..." didn't work, then why should programming believe that an unknown artist from Canada like Zoe would work?