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Kenny Guido

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MTV and Freestyle



Who invented MTV?

Michael Nesmith, former member of a 60’s pop-rock band called “The Monkees”, has been credited with creating the concept for what we now know as MTV. Having developed a music-video pilot called “PopClips” for Nickelodeon, he eventually sold the rights to Time-Warner.


MTV was launched on August 1, 1981, originally conceived to play Rock and Roll and only Rock and Roll. Michael Jackson soon changed that when he released the “Thriller” album on December 1, 1982.

Michael Jackson is credited with helping put MTV on the map with his groundbreaking videos (Thriller, Billie Jean, Beat It). He also has the distinction of being the first black artist to play on MTV.

In the late 80’s and early 90’s, Hip Hop and Dance Music were in heavy radio rotation across the country. But at the time, this was not reflected on MTV’s play list, or the Billboard Top 100. Eventually, MTV did test the waters with two shows directed at both the Hip Hop and Dance music genres.

Yo! MTV Raps, hosted by Ed Lover and Dr. Dre, played Hip Hop music videos and interviewed artists. Club MTV, a sort of American Bandstand for Dance, hosted by downtown Julie Brown, was filmed in New York’s Palladium and featured dancers and live performances. To date this has been the only time Freestyle videos have been featured on MTV.

So what happened? How did Hip Hop take over as the pop music of the new millennium and Freestyle shoved aside? The answer is SoundScan.

What Is SoundScan?

Nielsen SoundScan is an information system that tracks sales of music and music video products throughout the United States and Canada. Sales data from point-of-sale cash registers is collected weekly from over 14,000 retail, mass merchant and non-traditional (on-line stores, venues, etc.) outlets. Weekly data is compiled and made available every Wednesday. Nielsen SoundScan is the sales source for the Billboard Music Charts.” - www.soundscan.com




In the past, Billboard had tracked sales by calling stores across the U.S. and asking about sales, a method that was open to error and payola, or fraud. But SoundScan removes the human element altogether.

This is how it works. A barcode is on the back of most label-released CDs. When a customer is about to buy an album or single, the store clerk runs the barcode across a scanner (cash register). The sale is put into the store's computer and the sale data is also sent to the Nielsen Media Research offices for that region.

When SoundScan began tracking sales data for Billboard on March 1, 1991, Billboard’s Hot 100 chart changed dramatically. Before that date, Rock and Country dominated the charts. Rap was already outselling Rock but Billboards charts were not reflecting this. The chart was political and corrupt. The truth came out when SoundScan debuted. In a matter of weeks, Hip Hop had taken over the charts.

Freestyle, and most dance music in general, wasn’t selling the units Rap was. Radio stations across the country were being pressured by their parent companies to cater to the largest audience possible. Desperate for more listeners, they hired research companies and started using the SoundScan service to learn what music was selling most in their markets.

Almost overnight, dance music in the U.S. was abandoned. Nightclubs that catered to Dance Music across the country either went bankrupt or were forced to become Hip Hop clubs. The result is what we have now, Hip Hop as the new Pop culture. This is reflected on today’s MTV with programs like MTV cribs and Pimp My Ride.

Freestyle Music Videos


In my opinion, Freestyle Music Videos of the 80’s and 90’s lacked a cultural identity. Hip Hop has always had a cultural identity but Freestyle never put forth a cultural presence to go hand in hand with it’s music. Over the course of Hip Hop history we’ve seen everything from baseball caps worn to the side to baggy clothes. Gaudy jewelry, graffiti, break-dancing, etc.​

Even though Freestyle and Rap were spawned from the same seed, Freestyle chose to move away from it's Hip Hop image roots. Unfortunately, the music never found an image to replace it.​

Even today, most of the images you see in Reggaeton are Hip Hop ones. Reggaeton is trying so hard to be accepted by the Hip Hop mainstream that it's moving close to losing it's own identity. But that's another story.​


Here's a little story from my own experience. I remember how difficult it was for the wardrobe person to dress Lisette Melendez on the set for the video to "Together Forever". I remember thinking it odd that they couldn’t figure out how to dress a Latina from Spanish Harlem. Their only reference must have been West Side Story, because they tried to get Lisette to wear a t-shirt, with tight Levi’s and a pair of Converse sneakers without laces. Funny, I know, but it was a scary moment for Lisette and she panicked.

Rosie Perez, who choreographed the video, ran to Russell Simmons and insisted that he do something. Russell handed Rosie his credit card. Rosie then grabbed Lisette and they both jumped into a cab and drove off to the village. All this while the crew for the video waited on set. When they came back about two hours later, they had the outfit that helped Lisette define her feminine street style. After all, she is from Spanish Harlem.

 
I also remember watching the video to "Temptation" for the first time, thinking how great the opening shot was and Corina looked fantastic. Then, out of nowhere, I see two flamenco dancers! What the hell are two flamenco dancers doing in a video about Temptation?

All jokes aside, I just wanted to illustrate how much Latinos have been a mystery to both white and black people.

Yes, the music videos were horrible but this was not the fault of the label or the artist. It was the fault of people like myself, who should have made it their business to know the difference. The truth is music video directors of that time had no idea what to do with us. And the consequence was that we didn’t stand a chance at being portrayed properly on MTV. This and the fact that in those years MTV was racist.

Today

Today, with YouTube, MetaCafe and other outlets, we don’t need MTV. Ask a kid if he or she watches MTV, they'll say no. And I don’t know how many articles I’ve read about how kids get most of their information and entertainment from the Internet. Is MTV important? Not anymore. That’s probably why they play more reality show programming than actual Music Videos.


It is important, though, that there be a connection between image and music. A face to the music that we love. Most people not from an urban city have probably heard a Judy Torres record at one time or another. They'll recognize it if you play it for them. But they won't know her name, and they won't know what she looks like. That's been a problem that we've had little or no control over.

But the truth is MTV was never going to play dance music videos, in spite of a large number of complaints on the subject. In 2006, MTV's solution to the bi-cultural question was to create
MTV3.

Technically Telemundo got there first with Mun2. Originally launched in 2001, the show went through a revamp, and in late 2005, Mun2 was relaunched with new staff, shows and studios.

Now that we also have the power to control how we promote ourselves in cyberspace, it's not like we don't have options, we have options and we have the outlets. The only problem now is that a music video still costs money to produce.

You could probably make a music video with a handheld camcorder and get creative with the editing, but it could never compete with a video that's been shot with a proper budget.

The average Music Video costs 60 to 70 thousand dollars to produce. That's low end. The budget for a star's music video could go into the hundreds of thousands. Even with today's technology it would be hard to film a creative music video worthy of broadcast without spending a bundle.

I’ve personally directed several low budget music videos. I've shot a ten thousand dollar music video. And I've shot a
twenty thousand dollar video. I produced a thirty thousand dollar music video for an artist in Canada. Guess what. The thirty thousand dollar music video looked better than the other two.

Would I like to shoot music videos for my project? Absolutely. I would love to personally direct and edit them. Now if someone could just tell me where I could find the money.
 
I think we (latinos) are still stuck to this day in the limbo of not having proper representation in mainstream american media
we are not just a bunch of coke dealers and salseros but thats all youll ever see of us in movies and tv when we actually are shown
"where are we"?? no major movies roles no sitcoms (sitcoms are limited to everyone black white or gay!!! and george lopez, carlos mencia and ugly betty hardly represent la bandera!!! law and order you mean to tell me theres a police station in the dead middle of new york without a puerto rican detective????) no dominating music genre "sorry but raegaetton dont count" maybe fat joes still makin it rain other then that????? where not in any commercials besides the ones about phone companies offering call plans to latin places with people who overact being latino
what would a target or old navy commercial look like with boriquas???? hmmmmmmmm its weird ... were so many.. to the point that everything is now in english and spanish everywhere but still were so hidden
I work in a place in jersey about 20 minutes from manhattan the mecca of puerto ricans in america and I still get asked everyday how long ive lived in this country.. in a tone which almost is inquiring if im legal..can you believe that??
 
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by the way following up on another point from the drama train thread.. heres some factual history on freestyle by someone with genuine talent and accomplished respect who was there from the begining to the end of freestyle and still trying to bring it back but i guess since theres no verbal sparring going on here all that knowledge above dont mean a thing and not worth reading or commenting on
 
by the way following up on another point from the drama train thread.. heres some factual history on freestyle by someone with genuine talent and accomplished respect who was there from the begining to the end of freestyle and still trying to bring it back but i guess since theres no verbal sparring going on here all that knowledge above dont mean a thing and not worth reading or commenting on

very well said!!! I was thinking the same thing.. I wish we could have thousands of views when it came to a postive thread or a thread that implys bringing our music back to mainstream level...or a educational thread about our music such as this one...
unfortunaly the majority of people that come to these sites could care less about bringing freestyle back or anything that would contribute to the music going mainstream again...or its history....past/present or future
however if it envolves drama...or has the word pixs in the thread...it gets thousands of views.....sad but true.....
 
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People are familiar with my posts, and see the Spanish in them, this is because Spanish is my first language. Trying to write in English only, I will give myself a headache. So that is why, not because I want to start trouble or anything, ¡para nada! Not at all. So I always put in translation (Well, most of the time anyway) so others can understand.

Entonces, ¿que tengo yo que decir sobre esto? What do I think of this little article?

99% of the musica I listen to is Spanish music.

99% of the tv I watch is Spanish tv. Y tambien las peliculas, also the movies.

99% of the internet foros (forums) I visit are in Spanish.

99% of the magazines, newspapers, & books that I read are in Spanish.

At work I use Spanish & English on a 50/50 basis. Outside of work, if I have to speak to someone who does not know español, I will use English with them, no problem. But otherwise it is Spanish the rest of the time, en casa, at home, con amigos, with freinds, etc.


Yo soy puertorriqueño. I am Puerto Rican. Yo soy latino. I am latin. And I have found that when I stay using and living in my native tongue, I do not have to worry about being "misunderstood" by anyone. And that is why I stick 99.9% of the time to entertainment en mi idioma el español, to Spanish-language entertainment.

They have NO problem understanding me or what I want to see and hear. I want to be entertained, NOT insulted or misunderstood. Es bien facil, very simple.
 
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It is important, though, that there be a connection between image and music. A face to the music that we love. Most people not from an urban city have probably heard a Judy Torres record at one time or another. They'll recognize it if you play it for them. But they won't know her name, and they won't know what she looks like. That's been a problem that we've had little or no control over.

When I was in college in the early 90's, I would play my mixtapes from back home and I remember some "white" kids from the boonies of PA and upstate NY running into my room to ask where I had gotten the beats from. These were kids who claimed to never have seen a Puerto Rican before yet they were going nuts over TKA and Judy Torres. So yes, I agree that identity was and continues to be a problem for Latinos in the media.

For me, the best thing about freestyle was how positive it was. Where hip hop and reggaeton tend to glorify gun violence and gaudy jewelry, freestyle was almost always about love. 🙂

This is the *best* post I've seen on this site. Thanks for sharing it with us!
 
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Another major reason that freestyle was wiped off mainstream radio had to do with the popular artis of the times.If you tak a look back at 1990 and 1991 most of the big freestyle names started releasing more pop and r&b sounding records. Think:

Stevie b "love and emotion" (Bobby Brown sounding record)
Tka- I wont give up on you -R&b freestyle hybrid
Safire "feel the bass" most people dont even remember this song
George Lamond "where does that leave love" it was the house version that columbia promoted on the radio
Sweet sensation "love child" not really a freestyle record

theres more later
 
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