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Kenny Guido
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Joe Girardi's moves validated by New York Yankees' 27th World Series title

Tim Smith
Thursday, November 5th 2009, 4:00 AM


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Manager Joe Girardi guides the New York Yankees to their first World Series title since 2000.

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The mandate for Joe Girardi at the beginning of the season was simple, if not so easy to achieve - win a World Series with one of the most talent-rich and expensive baseball teams ever assembled.
That is the charge for a Yankees manager every year, but never more so than this season, after GM Brian Cashman spent $423.5 million of the Steinbrenners' money to bring CC Sabathia, A.J. Burnett and Mark Teixeira to the Bronx after the Yankees missed the playoffs last season.
It took six games in the World Series, and a gamble on a three-man rotation, but Girardi got his job done, as the Yankees beat the Phillies, 7-3, last night in Game 6.
"I really believe in this club. I've always believed in this organization, the job the Steinbrenner family has done, Cashman and his staff and it's where we wanted to be and the guys did it," Girardi said.
As soon as Robinson Cano gobbled up Shane Victorino's grounder and tossed it to Mark Teixiera for the final out, Girardi was engulfed in a celebratory hug by his coaches in the dugout. It was a long embrace. You could almost feel the weight of the season-long expectations being lifted from the manager's shoulders.
"The guys have been through so much," Girardi said, standing on a stage at second base, clutching the championship trophy that will always accompany his name in the record books. "It's unbelieveable how this team came together in spring training. They just kept fighting and fighting and fighting."
It is the 27th championship for the Yankees and it matches Girardi's uniform number, the reason he picked it in the first place. The victory validated Girardi's sometimes-criticized managerial methods, and gave him the gravitas needed to deflect future second-guessing as he pursues more championships.
Now, when anyone questions Girardi about the use of his scout books, charts, graphs and statistics, he can give them the finger - the ring finger. No one gets a bigger bounce from the Yankees winning the 2009 World Series than Girardi, who is no longer standing in the shadow of the other Joe, even if his former skipper Joe Torre won four.
"As a manager you still have that job, but the joy is for other people, because you know as a player what it takes to win a championship," Girardi said.
With a team that is still rich and deep in talent, Girardi can make a serious run at matching Torre title-for-title.
Throughout the postseason, Girardi had been second-guessed for his bullpen choices as the bridge to closer Mariano Rivera got more rickety with each passing game.
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Kenny Guido
But the biggest questions about Girardi's methods came with his decision to go with three starting pitchers in the postseason. It seemed to work out fine during the ALCS against the Angels, when only CC Sabathia was forced to go on three days' rest, and a rainout before Game 6 actually gave Andy Pettitte an extra day off before the clincher.
But the plan seemed to backfire in the World Series when A.J. Burnett, operating on short rest, was shelled and couldn't even make it through three innings in Game 5. Girardi didn't panic, even though his critics said it might doom the Yankees against the Phillies. Instead, Girardi stayed the course and went with Pettitte on short rest last night, even though Pettitte, 37, hadn't done it in the playoffs in six years.
In the end, short rest hardly seemed to matter to the veteran lefty. He could have been going on one hour's rest the way he handled the Phillies' lineup, particularly the hot-hitting Chase Utley, who hit into a double play and struck out swinging in his first two at-bats.
Pettitte made Girardi look like a genius for having faith that the veteran would be more than equal to the task of christening the new Yankee Stadium with its first World Series championship.
It was not a charmed season for Girardi. He had to work to shed his prickly 2008 image, and that started in spring training when he took his team for a surprise trip to a pool hall. He also had to navigate the team through the Alex Rodriguez nightmare.
First came Rodriguez being outed as, and later admitting, that he was a steroids cheat. And then it was Rodriguez missing the first 28 games of the season after hip surgery. Through it all, Girardi managed to keep the ship steady until Rodriguez hit his stride. And once he did, the Yankees were off to the races, winning 103 games and heading straight for a return to October glory.
The one hiccup - and it was a big one - for Girardi this season was the Joba Chamberlain experiment. Limiting Chamberlain's innings late in the season backfired as Chamberlain couldn't step into the No. 4 starter's job in the postseason, and at first seemed equally unprepared to confidently work out of the bullpen.
But even that was washed away in the champagne bath that greeted Girardi in the victorious Yankees clubhouse after the game.
Winning a championship has a way of curing all ills, making a manager accused of over-managing look less meddlesome, and validating plans and strategies that critics attack.
But the residue of Girardi winning his first World Series with the Yankees is that he has to come back and do it again next year.
Or else ...
Hello, does anyone have Jeannie's CD? She was a freestyle artist from San Antonio, TX in the late '90s. She's best known for the classic "Runaway" but had other nice songs too. Thanks.
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· posted in Freestyle Dance Music Discussion
If you grew up in the late 80s and early 90s, you already know the vibe. You can practically hear the Roland TR 808 drum machine firing up the second I mention the word freestyle. We're talking about a genre that didn't just climb the Billboard charts - it defined an entire era of youth culture. From the streets of New York City and Miami to roller rinks across the country, freestyle dance music was the ultimate soundtrack for a generation. It wasn't just music. It was the clothes, the big hair, the attitude, and the unbridled emotion of teenage heartbreak packed into a heavy bass line.

Today, we're taking a deep dive into the undisputed royalty of freestyle. They're the artists who built the foundation, impacted millions of people, and paved the way for modern dance pop. And the craziest part? They're still selling out arenas today. Let's get into it.

Shannon: The Architect
You can't talk about freestyle without bowing down to Shannon. When "Let the Music Play" dropped, it completely shattered the mold. It gave us that heavily syncopated, hard hitting drum beat that became the blueprint for everything that followed. Shannon showed the world that dance music didn't have to be mindless - it could have soul, and it could make you feel something. Fans connected with her instantly. Today, Shannon's still gracing the stage, proving that her legendary voice hasn't lost a single step. If you catch a freestyle festival this year, there's a good chance you'll see her bringing the house down.

Lisa Lisa & Cult Jam: The Crossover Legends
Lisa Lisa took the underground freestyle sound and forced the mainstream pop world to pay attention. "I Wonder If I Take You Home" and "Can You Feel the Beat" were absolute monsters on the radio. She had this incredibly unique, fierce delivery that made every young girl want to be her. Lisa Lisa and Cult Jam broke down barriers for Latino artists on mainstream radio. Their impact's immeasurable. Where's she now? Lisa Lisa's practically the reigning queen of the current Freestyle Explosion tours, packing massive venues in 2026 and showing a whole new generation exactly how it's done.

Stevie B: The Undisputed King
If there's a King of Freestyle, it's Stevie B. The man just couldn't miss. From party anthems like "Spring Love" and "Party Your Body" to the ultimate number one ballad "Because I Love You", Stevie B knew exactly what his fans wanted. His music was the backdrop to countless first dates, high school dances, and summer nights. He gave the genre a commercial viability that nobody expected. And guess what? He's still headlining enormous tours. If you look at the 2026 tour posters, Stevie B's name's right there at the top, delivering those classic hits to tens of thousands of screaming fans.

TKA: The High Energy Powerhouse
When TKA stepped onto a stage, you knew you were in for a masterclass in performance. K7 and the guys brought a raw, street level hip hop energy to freestyle. "One Way Love", "Maria", and "Tears May Fall" remain absolute anthems. They didn't just sing - they danced their hearts out and gave fans a visually stunning show. TKA became the best selling Latin freestyle group in history, and they heavily influenced boy bands and dance groups that came later. They're still performing as TKA, and their live shows today still pack the exact same electric punch as they did back in the day.

The Cover Girls: Glamour Meets the Beat
With tracks like "Show Me" and "Wishing on a Star", The Cover Girls brought a touch of glamour and pop polish to the freestyle world. They were fashion icons. Every girl wanted to dress like them, and every guy fell in love with them. They harmonized beautifully over those classic pounding beats, proving that freestyle could be both edgy and incredibly beautiful. The original lineup's seen some changes over the years, but The Cover Girls name still carries immense weight, and they're still out there touring the country.

Judy Torres: The Queen of Hearts
If you ever needed a shoulder to cry on after a bad breakup, Judy Torres was there for you. Songs like "No Reason to Cry" and "Come Into My Arms" still hit incredibly hard. Judy didn't just sing the lyrics - she bled them. Her fans feel an incredibly deep personal connection to her because her music's so relentlessly honest. Beyond music, Judy became an iconic radio personality in New York City, connecting with her fans on a daily basis. She's still a massively requested performer and a beloved figure in the freestyle community.

Sa-Fire: The Vocal Dynamo
Sa-Fire brought serious vocal chops to the table. "Boy I've Been Told" and "Love Is On Her Mind" showed an incredible range and a fierce independence. She wasn't just a singer - she was a writer and a creator who demanded respect in a very competitive music industry. Sa-Fire inspired countless young women to stand up for themselves. While she doesn't tour as relentlessly as some of the others today, her impact remains a foundational pillar of the genre.

George Lamond: The Voice
When "Bad of the Heart" hit the airwaves, it was game over. George Lamond possessed a voice that could rival the biggest pop stars on the planet. His vocal runs, his undeniable swagger, and his ability to convey deep emotion made him an instant superstar. He brought a sophisticated, incredibly polished sound to freestyle. Today, George's still out there crushing it on stage alongside his peers, and his voice sounds just as pristine as it did the day he recorded those classic tracks.

Cynthia & Johnny O: The Ultimate Duo
I've got to group Cynthia and Johnny O together, even though they had massive solo careers. Cynthia gave us huge hits like "Change on Me", and Johnny O gave us "Fantasy Girl". But when they teamed up for "Dreamboy/Dreamgirl", they created what's arguably the greatest freestyle duet of all time. It's the ultimate tale of star crossed lovers set to a frantic, irresistible beat. They gave a voice to every teenager who felt hopelessly in love. Both Cynthia and Johnny O still draw huge crowds on the live circuit, frequently performing together to the absolute delight of their lifelong fans.

Debbie Deb: The Weekend Warrior
If you ever stepped foot in a roller rink on a Friday night, you know Debbie Deb. "When I Hear Music" and "Lookout Weekend" remain the ultimate party starters. Her music was heavily electro influenced, with those bouncy, infectious beats that made it impossible to sit still. Hip hop and EDM artists today still heavily sample Debbie Deb's tracks, proving just how forward thinking her sound really was. She remains a beloved figure, occasionally popping up at retro shows to remind everyone who started the party.

How They Changed the Game
Freestyle dance music wasn't just a passing fad - it was a cultural revolution. Before freestyle, mainstream radio was incredibly segregated. These artists, many of them incredibly talented kids from Puerto Rican and Italian neighborhoods, forced the door open. They created a hybrid sound that blended the energy of hip hop, the melodies of pop, and the relentless pulse of electronic dance music. They laid the groundwork for the massive EDM festivals we see today.

But their real impact was on the people. For the fans, this music's a time machine. It takes them right back to their first car, their first kiss, their first heartbreak. The freestyle community's like a massive family. When you go to a Freestyle Explosion concert today, you aren't just watching a retro act - you're experiencing a beautiful, chaotic reunion. The fans know every single lyric, the artists still give it everything they've got, and the energy in the room's purely electric.

These artists proved that you don't need a massive corporate machine to make a lasting impact. You just need a heavy beat, a synthesizer, and a whole lot of heart. And that's why, all these years later, the music still plays on.

Who are your favorite freestyle artists - and what are your favorite freestyle songs?
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