Club Freestyle REBORN

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What's on your mind?
taezee
Last reply · posted in Freestyle Dance Music Discussion
for those of us that came up in the music lived it and had it forever embedded in our very souls..those who were in the club as we watched the birth of "let the music play" or "set it off" or "the mexican" "one more shot" songs like these which made us addicts trying to make our way back to that original high.. the old school those who were in the trenches up rocking against rivals and finding your first high school loves.. living life with our club music constantly playing on in the background.. when did we wake up and someone slapped a label on our music?? when and where did the term "Freestyle" originate???
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Kid Heartbreak
And another thing, I can remember back in the late 90s when most of the old school artists were looking to ditch freestyle and venture into other genres of music in english, and they were trying to lay the groundwork for the new George Lamond. I remember someone from his management team trying to tell me that there was no term "freestyle" back when GL's old school hits had come out. Supposebly it was just called "dance music". He made it seem as if "freestyle" was just a term that us ignorant fans had come up with to try to ruin the artists' careers by restricting them. I guess dude that told me that must have conveniently forgot that on the original 12" pressing of "Without You" (this record is from 1989) there is the "Extended Freestyle Club Mix". So how could all this bs that the term "freestyle" didn't exist back then be even close to true. That's all the proof you need is the actual 12" record from back then saying it. I have an original 12" pressing of a record from 1988 that is called "Introduction to Latin Hip Hop" and contains 6 or 7 tracks that are all "freestyle". Sa-Fire's "Let Me Be the One" is one of the tracks on there.
This world is so full of lies and hypocrisy. I can't even believe that anyone would try to say that this music didn't have a name, that it was just "dance" music. As if they don't want to give the music any respect. All people do is contradict themselves in an effort to get over on others.
O
And another thing, I can remember back in the late 90s when most of the old school artists were looking to ditch freestyle and venture into other genres of music in english, and they were trying to lay the groundwork for the new George Lamond. I remember someone from his management team trying to tell me that there was no term "freestyle" back when GL's old school hits had come out. Supposebly it was just called "dance music". He made it seem as if "freestyle" was just a term that us ignorant fans had come up with to try to ruin the artists' careers by restricting them. I guess dude that told me that must have conveniently forgot that on the original 12" pressing of "Without You" (this record is from 1989) there is the "Extended Freestyle Club Mix". So how could all this bs that the term "freestyle" didn't exist back then be even close to true. That's all the proof you need is the actual 12" record from back then saying it. I have an original 12" pressing of a record from 1988 that is called "Introduction to Latin Hip Hop" and contains 6 or 7 tracks that are all "freestyle". Sa-Fire's "Let Me Be the One" is one of the tracks on there.
This world is so full of lies and hypocrisy. I can't even believe that anyone would try to say that this music didn't have a name, that it was just "dance" music. As if they don't want to give the music any respect. All people do is contradict themselves in an effort to get over on others.

Isn't anybody looking at the raw facts. Tony Butler had a group called Freestyle Express in 83. Song was called Summers Delight. The group became known as Freestyle soon after. Tony continued to put out hit after hit at this time with Debbie Deb, Trinere, and Freestyle. Early 80's man, early 80's. The writing is on the wall. The name was coined then. NY was at this time doing their thing with "Latin Hip Hop" and Rap. A few years later is when it blew up as Freestyle for everyone. Bottom line is that the origin of the term is in Miami in 1983.
MIX1027FMDJ
Isn't anybody looking at the raw facts. Tony Butler had a group called Freestyle Express in 83. Song was called Summers Delight. The group became known as Freestyle soon after. Tony continued to put out hit after hit at this time with Debbie Deb, Trinere, and Freestyle. Early 80's man, early 80's. The writing is on the wall. The name was coined then. NY was at this time doing their thing with "Latin Hip Hop" and Rap. A few years later is when it blew up as Freestyle for everyone. Bottom line is that the origin of the term is in Miami in 1983.

Sounds logical to me, because I love that Miami based sync'ed bass bottom end that is a Miami trademark and which is on many top "freestyle" records.
ElementFreestyle
Hey, IMO the music we love, the songs we love, by the artists we love, HAVE no need for a label. Whether it's called Latin Hip-Hop, Heartthrob or Freestyle or just "Awesome Music" doesn't matter.
The New York sound, the Miami sound, Old School, New School.

This kind of music that we love, is beyond words.
taezee
Hey, IMO the music we love, the songs we love, by the artists we love, HAVE no need for a label. Whether it's called Latin Hip-Hop, Heartthrob or Freestyle or just "Awesome Music" doesn't matter.
The New York sound, the Miami sound, Old School, New School.
This kind of music that we love, is beyond words.

well said..and true but too many people get lost in the politics of whats in the name..too many people want to act as "mentors" and try to tell others they know nothing about music because they think a certain song is freestyle.. others want to sound sooooooo knowledgeable and correct people at every turn... some even want to tell freestyle artist how to make music!!

at the end of the day when you in the club..in your ride..chillin on the beach..at work..wherever it just music man!!!!!
C
at the end of the day when you in the club..in your ride..chillin on the beach..at work..wherever it just music man!!!!!

YESSss!!! All that matters is that ur listening to something you like.🙂
Kid Heartbreak
well said..and true but too many people get lost in the politics of whats in the name..too many people want to act as "mentors" and try to tell others they know nothing about music because they think a certain song is freestyle.. others want to sound sooooooo knowledgeable and correct people at every turn... some even want to tell freestyle artist how to make music!!
at the end of the day when you in the club..in your ride..chillin on the beach..at work..wherever it just music man!!!!!

True but we must remember that the 90s kind of changed everything in general. That was the era of the hardcore movement. When I was in high school, it was all about representin' your music of choice and the style that came along with it. Maybe that's part of why freestyle fell off in the mid 90s. It wasn't able to distinguish itself as a genre with a clear identity. There were the hip hop headz (at a time when hip hop was still real) rockin the army gear or the brand names (DKNY, Hilfiger, etc.) along with some boots or all white sneakers, there were the alternative heads rockin the flannels and the ripped jeans, there were the euro heads with the skin tight shirts (they didn't get that much attention), and then there was everyone else (they didn't have much of an identity). That was the mid 90s and that was a pretty cool era compared to anything that's come along since. The point being that it was all about listening to music that meant something and being part of the movement attached to that music. Freestyle didn't really fit in anywhere. It just wasn't "cool" anymore. It was something that I would listen to when I was by myself and somewhere in all that I fell in love with the music. It was the most fascinating thing I had ever come across and I never let it go.
Hello, does anyone have Jeannie's CD? She was a freestyle artist from San Antonio, TX in the late '90s. She's best known for the classic "Runaway" but had other nice songs too. Thanks.
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· posted in Freestyle Dance Music Discussion
If you grew up in the late 80s and early 90s, you already know the vibe. You can practically hear the Roland TR 808 drum machine firing up the second I mention the word freestyle. We're talking about a genre that didn't just climb the Billboard charts - it defined an entire era of youth culture. From the streets of New York City and Miami to roller rinks across the country, freestyle dance music was the ultimate soundtrack for a generation. It wasn't just music. It was the clothes, the big hair, the attitude, and the unbridled emotion of teenage heartbreak packed into a heavy bass line.

Today, we're taking a deep dive into the undisputed royalty of freestyle. They're the artists who built the foundation, impacted millions of people, and paved the way for modern dance pop. And the craziest part? They're still selling out arenas today. Let's get into it.

Shannon: The Architect
You can't talk about freestyle without bowing down to Shannon. When "Let the Music Play" dropped, it completely shattered the mold. It gave us that heavily syncopated, hard hitting drum beat that became the blueprint for everything that followed. Shannon showed the world that dance music didn't have to be mindless - it could have soul, and it could make you feel something. Fans connected with her instantly. Today, Shannon's still gracing the stage, proving that her legendary voice hasn't lost a single step. If you catch a freestyle festival this year, there's a good chance you'll see her bringing the house down.

Lisa Lisa & Cult Jam: The Crossover Legends
Lisa Lisa took the underground freestyle sound and forced the mainstream pop world to pay attention. "I Wonder If I Take You Home" and "Can You Feel the Beat" were absolute monsters on the radio. She had this incredibly unique, fierce delivery that made every young girl want to be her. Lisa Lisa and Cult Jam broke down barriers for Latino artists on mainstream radio. Their impact's immeasurable. Where's she now? Lisa Lisa's practically the reigning queen of the current Freestyle Explosion tours, packing massive venues in 2026 and showing a whole new generation exactly how it's done.

Stevie B: The Undisputed King
If there's a King of Freestyle, it's Stevie B. The man just couldn't miss. From party anthems like "Spring Love" and "Party Your Body" to the ultimate number one ballad "Because I Love You", Stevie B knew exactly what his fans wanted. His music was the backdrop to countless first dates, high school dances, and summer nights. He gave the genre a commercial viability that nobody expected. And guess what? He's still headlining enormous tours. If you look at the 2026 tour posters, Stevie B's name's right there at the top, delivering those classic hits to tens of thousands of screaming fans.

TKA: The High Energy Powerhouse
When TKA stepped onto a stage, you knew you were in for a masterclass in performance. K7 and the guys brought a raw, street level hip hop energy to freestyle. "One Way Love", "Maria", and "Tears May Fall" remain absolute anthems. They didn't just sing - they danced their hearts out and gave fans a visually stunning show. TKA became the best selling Latin freestyle group in history, and they heavily influenced boy bands and dance groups that came later. They're still performing as TKA, and their live shows today still pack the exact same electric punch as they did back in the day.

The Cover Girls: Glamour Meets the Beat
With tracks like "Show Me" and "Wishing on a Star", The Cover Girls brought a touch of glamour and pop polish to the freestyle world. They were fashion icons. Every girl wanted to dress like them, and every guy fell in love with them. They harmonized beautifully over those classic pounding beats, proving that freestyle could be both edgy and incredibly beautiful. The original lineup's seen some changes over the years, but The Cover Girls name still carries immense weight, and they're still out there touring the country.

Judy Torres: The Queen of Hearts
If you ever needed a shoulder to cry on after a bad breakup, Judy Torres was there for you. Songs like "No Reason to Cry" and "Come Into My Arms" still hit incredibly hard. Judy didn't just sing the lyrics - she bled them. Her fans feel an incredibly deep personal connection to her because her music's so relentlessly honest. Beyond music, Judy became an iconic radio personality in New York City, connecting with her fans on a daily basis. She's still a massively requested performer and a beloved figure in the freestyle community.

Sa-Fire: The Vocal Dynamo
Sa-Fire brought serious vocal chops to the table. "Boy I've Been Told" and "Love Is On Her Mind" showed an incredible range and a fierce independence. She wasn't just a singer - she was a writer and a creator who demanded respect in a very competitive music industry. Sa-Fire inspired countless young women to stand up for themselves. While she doesn't tour as relentlessly as some of the others today, her impact remains a foundational pillar of the genre.

George Lamond: The Voice
When "Bad of the Heart" hit the airwaves, it was game over. George Lamond possessed a voice that could rival the biggest pop stars on the planet. His vocal runs, his undeniable swagger, and his ability to convey deep emotion made him an instant superstar. He brought a sophisticated, incredibly polished sound to freestyle. Today, George's still out there crushing it on stage alongside his peers, and his voice sounds just as pristine as it did the day he recorded those classic tracks.

Cynthia & Johnny O: The Ultimate Duo
I've got to group Cynthia and Johnny O together, even though they had massive solo careers. Cynthia gave us huge hits like "Change on Me", and Johnny O gave us "Fantasy Girl". But when they teamed up for "Dreamboy/Dreamgirl", they created what's arguably the greatest freestyle duet of all time. It's the ultimate tale of star crossed lovers set to a frantic, irresistible beat. They gave a voice to every teenager who felt hopelessly in love. Both Cynthia and Johnny O still draw huge crowds on the live circuit, frequently performing together to the absolute delight of their lifelong fans.

Debbie Deb: The Weekend Warrior
If you ever stepped foot in a roller rink on a Friday night, you know Debbie Deb. "When I Hear Music" and "Lookout Weekend" remain the ultimate party starters. Her music was heavily electro influenced, with those bouncy, infectious beats that made it impossible to sit still. Hip hop and EDM artists today still heavily sample Debbie Deb's tracks, proving just how forward thinking her sound really was. She remains a beloved figure, occasionally popping up at retro shows to remind everyone who started the party.

How They Changed the Game
Freestyle dance music wasn't just a passing fad - it was a cultural revolution. Before freestyle, mainstream radio was incredibly segregated. These artists, many of them incredibly talented kids from Puerto Rican and Italian neighborhoods, forced the door open. They created a hybrid sound that blended the energy of hip hop, the melodies of pop, and the relentless pulse of electronic dance music. They laid the groundwork for the massive EDM festivals we see today.

But their real impact was on the people. For the fans, this music's a time machine. It takes them right back to their first car, their first kiss, their first heartbreak. The freestyle community's like a massive family. When you go to a Freestyle Explosion concert today, you aren't just watching a retro act - you're experiencing a beautiful, chaotic reunion. The fans know every single lyric, the artists still give it everything they've got, and the energy in the room's purely electric.

These artists proved that you don't need a massive corporate machine to make a lasting impact. You just need a heavy beat, a synthesizer, and a whole lot of heart. And that's why, all these years later, the music still plays on.

Who are your favorite freestyle artists - and what are your favorite freestyle songs?
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