Club Freestyle REBORN

What's on your mind?
Kenny Guido
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Family welcomes Tankleff back to Long Island


BY ZACHARY R. DOWDY | [email protected] 9:19 PM EST, December 27, 2007




Out of prison for the first time in 17 years, Martin Tankleff tasted freedom -- literally -- at a post-release soiree where loved ones caught up on old times and speculated about his future.

At the Westbury home of his cousins, Ronald and Carol Falbee, Tankleff munched on finger sandwiches, roasted chicken breast, mixed greens, crackers and fruit, saying that the post-prison fare was much more palatable than the chow he had been fed behind bars.

"It's definitely better," he said, nodding, smiling and looking relaxed in a white button-down shirt, having shed the gray pullover sweater he wore to the court proceeding before Judge Stephen L. Braslow in Riverhead earlier in the day.


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He greeted old friends and received new ones and guests with a firm handshake, a smile and a steady gaze. He sat back on the couch relaxed, flanked by supporters, and made occasional trips to the buffet table where the spread of hors d'oeuvres and sweets, including brownies, awaited.

Tankleff's attorneys advised the former Belle Terre man, who may still stand trial for murder, not to exchange much more than pleasantries with journalists.

Dozens of reporters and photographers set up camp outside the Falbees' Tudor-style house, the home where Tankleff lived when he was free on bail before his 1990 conviction for the murder of his parents.

Arlene and Seymour Tankleff were attacked on Sept. 7, 1988. Martin Tankleff, then 17, confessed to police -- and then recanted. He was charged with two counts of second-degree murder and was released on bail until his trial in 1990, where a jury convicted him of the crimes.

Tankleff was sentenced to 50 years to life in prison.

But Thursday, six days after a state appellate panel overturned that conviction, Tankleff walked out of Suffolk County Court a free man, at least for now.

Inside the Falbee home, the mood was festive as about two dozen of Tankleff's closest relatives, attorneys, friends and some acquaintances expressed relief and comforted one another for supporting Tankleff from the moment he was suspected in one of Long Island's most notorious crimes.

"We're just happy he's out," said Ronald Falbee, who was host of the event he said was planned in 48 hours. "We're just happy we got to this point."

Tankleff, who was the center of attention, used the time to get familiar with the latest electronic gadgets.

He held up a cell phone, receiving congratulations from well-wishers on the line. He even set up an e-mail account on a laptop computer equipped with a wireless Internet connection, where he dabbled with search engines and other things he hasn't had a chance to use since he went to prison.

Playfully, he maneuvered the mouse and said he was looking up stuff posted about his own private investigator, Jay Salpeter of Great Neck, who gathered the evidence that led to Tankleff's release yesterday.

"I want to see if I got it right," Tankleff quipped, referring to his research.

Earlier in the day, shortly before 12:30 p.m., a black Range Rover pulled up to the Falbee home, and Tankleff emerged from the front passenger seat into a light rain as a throng of photographers clamored to get more photos of him.

He grinned meekly as reporters and photographers peppered him with, "How ya feeling, buddy?" and the simple, "Welcome home."

The Falbees ushered Tankleff into their Parkway Drive house, but he didn't speak.

Later, inside the house, Tankleff's uncle from California, Michael McClure, reviewed some of the repartee last October between the appellate judges and Tankleff's attorneys with Lonnie Soury, a Manhattan publicist who has been working with Tankleff throughout his attempts to be freed over the past several years.

"This is Marty's day," said Robert Gottlieb, of Manhattan and Huntington, who represented Tankleff at his 1990 trial. "And he deserves it."

Staff writer Jennifer Sinco Kelleher contributed to this story.
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I don't even remember any of this!
Kenny Guido
lol.....I barely do, either! I would have to blame myself because I was never home and caught up in somsone else's life.

I am glad he is out. its unfortunate that the police totally screwed up this case because arresting him was so much easier than accusing the others that are responsible for this. that would actually involve "work" and you know how much the cops hate to work!
Hello, does anyone have Jeannie's CD? She was a freestyle artist from San Antonio, TX in the late '90s. She's best known for the classic "Runaway" but had other nice songs too. Thanks.
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If you grew up in the late 80s and early 90s, you already know the vibe. You can practically hear the Roland TR 808 drum machine firing up the second I mention the word freestyle. We're talking about a genre that didn't just climb the Billboard charts - it defined an entire era of youth culture. From the streets of New York City and Miami to roller rinks across the country, freestyle dance music was the ultimate soundtrack for a generation. It wasn't just music. It was the clothes, the big hair, the attitude, and the unbridled emotion of teenage heartbreak packed into a heavy bass line.

Today, we're taking a deep dive into the undisputed royalty of freestyle. They're the artists who built the foundation, impacted millions of people, and paved the way for modern dance pop. And the craziest part? They're still selling out arenas today. Let's get into it.

Shannon: The Architect
You can't talk about freestyle without bowing down to Shannon. When "Let the Music Play" dropped, it completely shattered the mold. It gave us that heavily syncopated, hard hitting drum beat that became the blueprint for everything that followed. Shannon showed the world that dance music didn't have to be mindless - it could have soul, and it could make you feel something. Fans connected with her instantly. Today, Shannon's still gracing the stage, proving that her legendary voice hasn't lost a single step. If you catch a freestyle festival this year, there's a good chance you'll see her bringing the house down.

Lisa Lisa & Cult Jam: The Crossover Legends
Lisa Lisa took the underground freestyle sound and forced the mainstream pop world to pay attention. "I Wonder If I Take You Home" and "Can You Feel the Beat" were absolute monsters on the radio. She had this incredibly unique, fierce delivery that made every young girl want to be her. Lisa Lisa and Cult Jam broke down barriers for Latino artists on mainstream radio. Their impact's immeasurable. Where's she now? Lisa Lisa's practically the reigning queen of the current Freestyle Explosion tours, packing massive venues in 2026 and showing a whole new generation exactly how it's done.

Stevie B: The Undisputed King
If there's a King of Freestyle, it's Stevie B. The man just couldn't miss. From party anthems like "Spring Love" and "Party Your Body" to the ultimate number one ballad "Because I Love You", Stevie B knew exactly what his fans wanted. His music was the backdrop to countless first dates, high school dances, and summer nights. He gave the genre a commercial viability that nobody expected. And guess what? He's still headlining enormous tours. If you look at the 2026 tour posters, Stevie B's name's right there at the top, delivering those classic hits to tens of thousands of screaming fans.

TKA: The High Energy Powerhouse
When TKA stepped onto a stage, you knew you were in for a masterclass in performance. K7 and the guys brought a raw, street level hip hop energy to freestyle. "One Way Love", "Maria", and "Tears May Fall" remain absolute anthems. They didn't just sing - they danced their hearts out and gave fans a visually stunning show. TKA became the best selling Latin freestyle group in history, and they heavily influenced boy bands and dance groups that came later. They're still performing as TKA, and their live shows today still pack the exact same electric punch as they did back in the day.

The Cover Girls: Glamour Meets the Beat
With tracks like "Show Me" and "Wishing on a Star", The Cover Girls brought a touch of glamour and pop polish to the freestyle world. They were fashion icons. Every girl wanted to dress like them, and every guy fell in love with them. They harmonized beautifully over those classic pounding beats, proving that freestyle could be both edgy and incredibly beautiful. The original lineup's seen some changes over the years, but The Cover Girls name still carries immense weight, and they're still out there touring the country.

Judy Torres: The Queen of Hearts
If you ever needed a shoulder to cry on after a bad breakup, Judy Torres was there for you. Songs like "No Reason to Cry" and "Come Into My Arms" still hit incredibly hard. Judy didn't just sing the lyrics - she bled them. Her fans feel an incredibly deep personal connection to her because her music's so relentlessly honest. Beyond music, Judy became an iconic radio personality in New York City, connecting with her fans on a daily basis. She's still a massively requested performer and a beloved figure in the freestyle community.

Sa-Fire: The Vocal Dynamo
Sa-Fire brought serious vocal chops to the table. "Boy I've Been Told" and "Love Is On Her Mind" showed an incredible range and a fierce independence. She wasn't just a singer - she was a writer and a creator who demanded respect in a very competitive music industry. Sa-Fire inspired countless young women to stand up for themselves. While she doesn't tour as relentlessly as some of the others today, her impact remains a foundational pillar of the genre.

George Lamond: The Voice
When "Bad of the Heart" hit the airwaves, it was game over. George Lamond possessed a voice that could rival the biggest pop stars on the planet. His vocal runs, his undeniable swagger, and his ability to convey deep emotion made him an instant superstar. He brought a sophisticated, incredibly polished sound to freestyle. Today, George's still out there crushing it on stage alongside his peers, and his voice sounds just as pristine as it did the day he recorded those classic tracks.

Cynthia & Johnny O: The Ultimate Duo
I've got to group Cynthia and Johnny O together, even though they had massive solo careers. Cynthia gave us huge hits like "Change on Me", and Johnny O gave us "Fantasy Girl". But when they teamed up for "Dreamboy/Dreamgirl", they created what's arguably the greatest freestyle duet of all time. It's the ultimate tale of star crossed lovers set to a frantic, irresistible beat. They gave a voice to every teenager who felt hopelessly in love. Both Cynthia and Johnny O still draw huge crowds on the live circuit, frequently performing together to the absolute delight of their lifelong fans.

Debbie Deb: The Weekend Warrior
If you ever stepped foot in a roller rink on a Friday night, you know Debbie Deb. "When I Hear Music" and "Lookout Weekend" remain the ultimate party starters. Her music was heavily electro influenced, with those bouncy, infectious beats that made it impossible to sit still. Hip hop and EDM artists today still heavily sample Debbie Deb's tracks, proving just how forward thinking her sound really was. She remains a beloved figure, occasionally popping up at retro shows to remind everyone who started the party.

How They Changed the Game
Freestyle dance music wasn't just a passing fad - it was a cultural revolution. Before freestyle, mainstream radio was incredibly segregated. These artists, many of them incredibly talented kids from Puerto Rican and Italian neighborhoods, forced the door open. They created a hybrid sound that blended the energy of hip hop, the melodies of pop, and the relentless pulse of electronic dance music. They laid the groundwork for the massive EDM festivals we see today.

But their real impact was on the people. For the fans, this music's a time machine. It takes them right back to their first car, their first kiss, their first heartbreak. The freestyle community's like a massive family. When you go to a Freestyle Explosion concert today, you aren't just watching a retro act - you're experiencing a beautiful, chaotic reunion. The fans know every single lyric, the artists still give it everything they've got, and the energy in the room's purely electric.

These artists proved that you don't need a massive corporate machine to make a lasting impact. You just need a heavy beat, a synthesizer, and a whole lot of heart. And that's why, all these years later, the music still plays on.

Who are your favorite freestyle artists - and what are your favorite freestyle songs?
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